Why Patricia Arquette is our Beauty Icon

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Patricia Arquette in True Romance

was the disarming of bubblegum sweet cocktail with a neckline murderess, hair platinum and a red lip fierce. Essentially Alabama Whitman, played by a then 24 year old Patricia Arquette, was the bad girl you never wanted your boyfriend to answer.

Tarantino heroines are not exactly known for their demeanors wallflower and gunslinger naive Quentin with a penchant for pastel no exception.
When True Romance exploded on cinema screens in 1992 has served the kind of in-your-face sexy, fans of the gunman heroin Quentin Tarantino came to worship. Forget Christian Slater and Brad Pitt, was the longed Patricia Arquette, who stole the show, such as Alabama, the call-girl born in Tallahassee electric blue bras, mini cow-print and colored wayfarers. From that hair bleached at home to the iconic scarlet mouth, everything about her said goddess born on the wrong side of the tracks.

“Tony Scott [the director] was a human being so incredible,” says Ron Scott, the hairdresser of lead on the film. “I remember a reference mobile home prostitute Florida and arrived at what Patricia called ‘angel wings. From the first scene in the movie we then had to do hair worsen throughout the film I did with wetting solution with wax to keep the fake blood stains from hair. “Fast forward a couple of decades and rooty, trailer-trash (aka ‘cool girl’) hair is all the rage.” Tony Alabama wanted to look like a flashy blonde roots with roots so I hand painted to make it appear cheaper although it was difficult to make Patricia look bad. “But instead of reaching for the bleach, suggest improving your separation with a spritz of hair powder a shade darker than your natural color
Try :. Instant Root Concealer Charles Worthington, £ 9.99

Red is the weapon of choice of the femme fatale, although pout-iculars dell ‘ Alabama flank the fine line between sexy and trashy Americana. “Tony [Scott] and I have had a long working relationship and friendship so we could almost read the mind of eachother,” says the master make-up of the film Ellen Wong. ” He gave me a key adjective; “Raphaelite” and I took it from there. Both Tony and I share a love of red lipstick to add punctuation to the delivery of words, but other than that velvety pop of color, I kept the rest of the makeup soft and radiant (redness imperceptible polished in a sheer foundation with a wash eyeshadow neutral) to improve its sweetness innocent. “
Try Tom Ford Matte Lipstick in Ruby Rush, £ 37, by Terry Terribly Rose de Rose blush, £ 72, BARESKIN bareMinerals Foundation, £ 26.


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